Nocturna Models Enchantment [WIP - Skin tone]

Slowly but surely, solid progress is being made on my Daenerys Targaryen proxy or the Nocturna Models Akelarre Enchantment 70-mm figure. When I first started working on her I had my doubts seeing that the light pastel dress colours looked a tad off in isolation. But as first the dragon then her skin tone was more clearly defined, it looks like the overall colour scheme I envisioned is starting to take shape. Planning colours in advance and in detail is a good habit I'm happy to have acquired.

Nocturna Models Akelarre Enchantment, work-in-progress (WIP) on skin tone

She is currently my proxy for Daenerys of House Targaryen

Light skin tone selected to complement the pastel hues of her dress

A light skin tone was the obvious choice with the Akelarre Enchantment figure being a proxy for the Mother of Dragons. Her skin may require a few more thin layers of blending to further smooth out the transitions but for now they allow me to see an overall picture of how the colours are 'reacting' to each other. And as is the case when an idea anyone has slowly comes to fruition, I'm loving it so far.

A full-on view of the WIP Nocturna Models Akelarre Enchantment

Face only has skin tones defined; her eyes, eyebrows and lips have yet to be painted

Side view (left) of the Nocturna Models Akelarre Enchantment WIP figure

Subtle contrasts on her pink pants and light turquoise dress are holding up so far against the dragon and skin

Even as I paint her skin tone, I am noticing stuff that a short lay off has made obvious. For one, the contrast in her headgear is woefully inadequate. This is shown up even more as other colours around it are painted in namely the greens of the dragon and the light hues of her skin tone. So that is one thing I will have to rectify in the days to come. Each part of a miniature is never truly done at any one stage because the next colour you put on is going to move the goal posts. However, if you have carefully planned out the colour scheme, any corrections you would have to do should be minimal.   

Back view of the Nocturna Models Akelarre Enchantment WIP figure

This angle shows up the lack of contrast in her headgear which will have to be rectified

Side view (right) shows the main colours all lined up in a row

Many little clothing accessories/adornments have yet to be fleshed out through paint

Because the many little details on her clothing accessories/adornments have yet to be painted, there is a certain emptiness to her clothes. There is so much detail (and in such small sizes too) that I will have to take the time to analyze how I plan to go about painting them. Initial observations point to a lot of careful, time consuming lining work. Not something I am particularly looking forward to; moreover it's something I should have done before painting her clothing. Duh ... face palm.    

A angled top down view ... eyes up top sailor

Yet another milestone was reached during work on the Nocturna Models Akelarre Enchantment's skin tone namely my first use of a Raphael 3/0 Kolinsky Sable brush. My previous experience with Raphael was with its 6/0 brushes which I used on eyes. I used the 6/0 together with a normal Nylon brush to paint the skin on my proxy for Daenerys Targaryen. I find that the Kolinsky Sable brush's sharp point allowed me to easily paint the highlights and in some cases the shadows. For the most part, blending transitions between the shadows/midtones/highlights is still easier with a Nylon brush.

A recent bout of flu closely followed by a mild case of viral fever - the period of recovery in between allowed me to work on the skin tone - has forced me to slow down my more artistic pursuits of drawing and painting. But I did catch up on my reading again. On this front, I have rather ambitiously set forth on The Night's Dawn Trilogy by Peter Hamilton. Just four chapters in, I'm enjoying the fact that this book isn't dumbed-down. It's a hardcore Science Fiction novel and unabashedly so. And now, I have three huge tomes to plough through in between grappling with pencils and brushes.


P.S. I have taken some shots of another Nocturna Models figure i.e. the Battle Chick. She has been assembled but have yet to receive any primer coating let alone acrylic paint layers. If you want check out the latest photographs of her, please click on the following link => http://bit.ly/1CLos9z    

A drawing table, early attempt at gesture drawings and the force finally awakens

Working under a tight budget necessitates hunting for deals in places where you wouldn't think to look. Initially, my search took me to obvious locations such as the local malls as well as various Home/Decor/Furniture exhibitions. Results were disheartening as most drafting/drawing tables ranged from a high price of RM1,500 to an even higher RM3,550 (about USD400 to USD950). Then, the missus chanced upon an old stationery shop located almost right smack in the middle of Kuala Lumpur's Golden Triangle. With its heydays sadly long behind it, this shop stocked old-fashioned draughthing instruments that predated the digital revolution. And on the window display was an inclined table on sale for RM500 (roughly USD135). Just like that, my long search was over.  

A drawing table at last ... and a value budget buy to boot

Putting the table to use for the first time ... hopefully this will help me solve proportion issues when drawing portraits

One problem I persistently face is a skewed perspective which results from having to draw on a flat table. Using an inclined table should theoretically negate this issue. Having the paper positioned nearly perpendicular to my line of vision means I get to see and draw things as they are. But this also means I can no longer blame the table if any of my portrait drawings are wrongly proportioned. Oh well, I guess I could always point the finger at global warming. (That's tongue in cheek ... as a huge fan of Sir David Attenborough's work I despair at the ignorance abound on this topic.)

A selection of figure drawing books collected over the years

Early attempts at gesture drawing
In addition, I have started to self teach myself how to draw dynamic figures. Luckily, I have accumulated quite a stack of 'How-To' books on this topic over the years. Some of which include:
(a) Figure Drawing for All It's Worth by Andrew Loomis (e-book)
(b) Figure Drawing - Design and Invention by Michael Hampton (e-book)
(c) Drawing the Head and Figure by Jack Hamm
(d) The Complete Guide: How to Draw and Paint Anatomy by Imagine FX
(e) Incredible Comic Book Women by Tom Nguyen
(f) Drawing Beautiful Women - The Frank Cho Method by Frank Cho
(g) Drawing People - How to Portray the Clothed Figure by Barbara Bradley
(h) Drawing Manga - People and Poses by Ryo Hirata
(i) Colossal Collection of Action Poses by Buddy Scalera

For now, a lot of time is being spent on simple gesture drawings with inspiration drawn mainly from books (b) through (g). My approach is basically to learn the different techniques used to draw figures and assimilate them before breaking out from the existing rules to find my own style or voice.

Currently I find gesture drawing easier if I combine the Industrial Design Method with Michael Hampton's technique

Keeping in mind those S-curves which are essential for a dynamic figure

Trying to capture dynamic gestures of a figure in repose

And the force finally awakens
Meanwhile, after 12 years of trying (although I am guessing that flying toy Tie-fighters over a baby crib and going pew pew pew doesn't really count) I have finally gotten my son to watch the original Star Wars trilogy. And I think he finally gets it. Really gets it ... the Star Wars universe that is. Now he is itching to see the seventh installment of the movie franchise i.e. Star Wars: The Force Awakens.

Join me, and together we can rule the galaxy as father and son

My son's exposure to Star Wars is helped by sarcastic force gestures (accompanied by the humming of a Star Wars theme synonymous with Luke Skywalker) from his mom and I whenever he asks us to get him objects that he could very well reach himself. Character building the Tatooine way. With a shared interest in console gaming, my son and I are also excited over the upcoming EA online multiplayer release on the PS4. Thankfully, we have five months to save up for this console game.

Upcoming release of Dice's Star Wars Battlefront has gotten my son and I excited

An onset of the flu has seen my hobby activities seriously curtailed these past week. I can't wait to shake this illness off and resume painting and drawing. Being prevented from doing what you love makes you appreciate it that little bit more. And I will be glad to start doing what I love once again.

Help! A Blogger bug

It's times like these that I am sorely tempted to ditch Blogger and move on to alternative blogging platforms. The latest bug to afflict my blogging experience is an inability to add new blogs to my blogroll. Usually, clicking on the 'Add to List' link provides me with the option to add new blogs to the list. However, now all that happens is part of the screen going blank. Needless to say, this sucks!

Clicking on the 'Add to List' button now results in ...

... a portion of the option screen going blank

So far I have tried the following without any success:
(a) Restart a new blog roll;
(b) Log in to the blog using different browsers, especially Chrome; and
(c) Ensure all browsers are updated.

If any of you have experienced and resolved this Blogger bug, I would appreciate it if your solution could be posted in the comments below. If all else fails, I can only hope this bug will resolve itself over time as have most bugs I encountered when using Blogger. Google bot/god are you listening?

[EDIT: This problem has been solved thanks to DWolve]

Female Mage on Stairs [WIP - Dress]

Despite an initial reluctance to start work on Dark Sword's Female Mage on Stairs largely due to a less than adequate primer coat applied during my early days in the hobby, in the end I couldn't resist giving it a go anyway. Other than some lost details (such as buttons) on the upper portion of her dress and potential roughness showing up on her skin, I believe I can still make it work ... somehow.

Dark Sword Miniatures' Female Mage on Stairs, work-in-progress on her dress

Dress colour scheme is a mixture of pastel pink, peach and orange

A semi-botched primer coat means it'll be an uphill battle all the way when painting the mage

Early progress on the Female Mage on Stairs centred on achieving suitable contrast as well as smooth transitions on her dress's light pastel colour scheme. I would like to believe that my understanding of colours and acrylic paint techniques have improved up to a point where I could do both. But credit is also largely due to the well sculpted dress which made the overall process easier.

Beautifully sculpted clothing complements the ...

... equally well sculpted hair

Her hair will be painted to either contrast the orange sash or complement the pink dress 

Going forward, I am tempted to go off at a tangent with regards to her overall colour scheme. To give you a hint about what I mean, the mage's hair will be painted to either complement the pink dress (status quo) or to contrast the orange sash (the tangent I am referring to). Both are appealing choices and for the moment I am at a lost as to which path I should take ... perhaps the road less travelled.  

The many folds in her dress made achieving contrast on a light pastel colour scheme that much easier

Achieving a contrast and smooth transitions for the mage's dress was a key priority at this stage

Going forward, there is a likelihood her overall colour scheme could go off at a tangent 

Coming in only two separate parts, the Female Mage on Stairs was easy to assemble and looks deceptively easy to paint. It's anything but. Painting 28-mm figures from the Dark Sword Miniatures line never fails to be a challenge and it's proving no different for the mage. While the bad primer coat isn't helping, it's the very simplicity of the miniature that makes it difficult to paint well and create a 'wow' factor if you will. But since I always find myself improving, however slightly, when working at such a small scale, it's a challenge worth taking. That I get to paint her in Asian skin tones is icing in the cake as I haven't had much opportunity to do so in my miniature projects. Best I get to it then.

Wood Elf Goddess v.1 [Completed]

Finishing the fair-skinned version of Dark Sword Miniature's Wood Elf Goddess was a long time coming. This is an interesting piece because I started the project at a much lower skill level than when I finished, having taken nearly a year of stop start work to complete her paint job (painting parts of her in between months of not working on her at all). Over the course of her time on the paint table, I have reworked her hair three times, adjusted the purple hue on her arm and leg bindings four times, carefully lined and relined areas between her skin and dress, among others. And while there are things I can improve on, I decided it was right to finally call time on this project and move on.  

Dark Sword Miniature's Wood Elf Goddess completed, at least the fair-skinned version

One thing I am most proud of is the results on the Wood Elf's skin tone which I achieved using a Marike Reimer paint recipe. Following close behind would be her hair which I felt had sufficient contrast to denote volume. Another reason it took so long for me to complete the Wood Elf Goddess was because I had been putting off painting the her metal tiara and necklace (I know right? Metal on a Wood Elf? That's just wrong but heck, let's just say she is a trailblazer in fantasy fashion). Work on her jewellery only began after many hours spent on improving my technique of painting metal.

Colour scheme was inspired (but not restricted) by DC's Poison Ivy

Her eyes took me hours to do, but it's not truly complete due to lack of highlights

Oh dear, the macro shot has revealed a small spot on her left thigh that needs to be cleaned up

Colour scheme for the Wood Elf Goddess was inspired by DC Comic's Poison Ivy. However, I added two more colours to the mix namely purple and yellow to add more variety to the scheme. Initially, everything fell apart with the addition of purple to the colour scheme. After a lot of head scratching, I lightened the purple to a pastel shade and layered on a thin wash of brownish green. That allowed the purple to blend in better with the yellow, orange and greens for an earthy yet divine-like quality.

S-curves on the Wood Elf Goddess make her pose a dynamic one

Back view of the Dark Sword Miniatures Wood Elf Goddess (Avatar Form)

With all that glorious hair, she looks like a eco-diva

If there is one unsatisfactory thing I would pick on is that her eyes lack highlights as well as colour. To accomplish both I would need to work under a magnifying lamp and have steady hand control. My main struggle is with the former which I am still trying to get to grips with. As for the latter, I have learned to cope with my coffee-infused unsteadiness so it's not an issue here. In short, I can't paint highlights and colours on the eyes of a tiny 28-mm scale miniature, at least not consistently.  

Even from the side, the Wood Elf Goddess looks dynamic

Wood Elf Goddess is currently my favourite Dark Sword figure

A small scale Wood Elf Goddess equals a really tough (but rewarding) painting challenge

360 view of the Dark Sword Miniatures Wood Elf Goddess
To view the fair-skinned Wood Elf Goddess in 360 degrees, please click on the YouTube video below. For videos of other selected miniatures I have painted, please visit my YouTube channel FourEyedMonster Miniatures. Please choose high definition (HD) for the best video viewing option.

If you were not following my blog earlier, you might be wondering why is this Wood Elf Goddess tagged as Version 1 (v.1). Well, it stands to reason then there is a Version 2 (v.2) which I plan to work on. In fact, I have completed her skin tone (dark as opposed to fair-skinned) at roughly the same time as this version. But that's all I have done so far and work on the second version has yet to continue. For now, I plan to work on other projects first as well as spend more time drawing. Both should keep me well occupied until inspiration provides me with the colour scheme to go with a dark skin tone.