Far from being a Hollywood cliche of a Chinese saying, the title of this blog post just about sums up the situation I find myself in with regards to my miniature painting projects and drawing practice sessions (in preparation for future sculpting concept sketches). One good, the other not so good.
Dry taps equals slower progress on miniature painting projects
Dry taps
Despite the onset of the rainy season, the preceding spell of dry weather had lowered water supply levels in dams of water treatment plants to critical levels. This meant water rationing was enforced in the city and dry taps for up to 20 days per month, with supply switched on only one every three days. I tend to use more water than the average painter because I like to keep my water pot clean when painting. All I can do is to store some water that will hopefully get me though the 'dry days'.
Some 5-litre bottles filled with water to enable painting during dry days
Moist eyes
Meanwhile, I went back to basics for my drawing practise sessions as I had mixed feelings about my previous drawing. Just when I felt I had made progress on the rendering of hair and mouth (to capture a smile) in my drawing, I kinda regressed on the drawing of eyes. In my Portrait Practice #09, the eyes looked flat and spoiled the hard work I had put in on the hair and smile. To try and improve, I practised drawing the eyes of two actresses - one from the past with dark coloured irises and one from the present with more lightly coloured irises. Can you guess who they are? Hints are in the quotes they made in performances that won them their first Oscar Best Actress Awards.
Drawing practise - Dark coloured irises
"What the world needs is a return to sweetness and decency ..."
For this drawing practise session, I made a conscious effort to paint realistic looking eye pupils and irises as well as tried to do a better job of shading areas around the eye lens so that the eyes don't look too flat in a portrait drawing. I also tried to draw more realistic looking eyebrows and eyelashes.
Drawing practise - Light coloured irises
"You might not have experienced the shit I did, but you loved hearing about it didn't you?"
At the moment, I can't seem to get everything right in one single drawing. For my first drawing (eyes from an iconic class act from the past), I managed to get the proportions and shading around the eyes relatively spot on but (there is always a but) I felt the pupils and irises just did not have enough life in them, for want of a better description. In my eye rendering of a more contemporary movie star, I think I nailed the moist and 'live' look of the eyes' pupils and irises but (again with the buts) I got the proportions all wrong. To see who the eyes belong to, please scroll down to the bottom of this post.
So have you guessed who the actresses are? Well, the first is one of my favourite actresses of all time, Audrey Hepburn while the second is the actress that will likely be the subject of my first sculpting project, Jennifer Lawrence. Thanks for reading my latest blog post and here's to wetter days ahead.
Anyway you look at it, girls with weapons is a marriage made in heaven for painters and sculptors alike. I find the concept of associating weapons with girls most appealing. Why? Because it challenges many a society's prejudiced view of women as the subservient and weaker sex ... the very same segment of society that discriminates against you based on the colour of your skin or personal believes. Putting weapons in the hands of the feminine half of humanity is to me, a symbolic gesture of flipping the bird at prejudiced views. And what a better way to start off than Bonnie Parker.
Bonnie Parker as played by Holliday Grainger
Although the movie about the infamous 1930's outlaw duo of Bonnie and Clyde by The History Channel has been slated by critics for taking considerable liberties with historical accuracy, I think they missed the point. The show was meant to be entertaining, which for me it was, and it provides a take on how a person ends up in a life of crime which reinforces the notion that life is coloured in many shades of grey. Moreover, this latest TV movie remake makes you want to read more about life during the years of the Great Depression in America as any good historical show should do.
Bonnie and Clyde as envisioned by The History Channel movie
Bonnie would make an excellent subject for a sculptor and painter, something I have been more actively aware of ever since my interest in sculpting was sparked. Weapons and 1930's style of clothing on a sculptor of Bonnie Parker makes for a unique and interesting combination that differs greatly from your regular sci-fi and fantasy stuff. On that note, there is a much more modern version of Bonnie in Roxy as played by Tara Lynne Bar in the movie 'God Bless America'.
Roxy as played by Tara Lynne Bar
Creeping up on me unawares, 'God Bless America' is one movie that
simply stunned and blew me away with its brilliance. A movie in which
closed-minded conservative individuals should shy away from as they will
not be able to see past the violence, the story revolves around Frank
(played by Joel Murray) who is down and out to put it mildly as he has a
broken marriage with a child that hates him, has lost his job and has
terminal illness. As Frank sits on the couch with a gun in his mouth
ready to end it all, he has an epiphany that sees him team up with Roxy
(played by Tara Lynne Bar) and proceed to take out the trash of society -
[Spoiler Alert Begins] including spoiled teenagers, racist and
religious bigots, people who talk in cinemas, and many more idiots of
society [Spoiler Alert Ends].
God Bless America - a superb dark comedy
On the surface there seems to be nothing interesting to sculpt or paint where Roxy is concerned, though I beg to differ. As a sculpture, Roxy is a symbolic miniature that represents a stand against the idiocy that seems to envelope the masses, or a non-conformist figurehead if you will. But not all miniatures need to based on serious themes. There is always the fantastical such as Sucker Punch.
Babydoll, the protagonist in Sucker Punch, as played by Emily Browning
Despite 'Sucker Punch' being almost universally panned by so-called serious film critics, I for one enjoyed this movie while still acknowledging it could have been so much better. Directed by Zack Snyder of '300' and 'Man of Steel' fame, this movie had great fights scenes (choreographed by Damon Caro) and stunning visual effects. One possible ambiguity this film represents is that it treads a fine line between female empowerment and sexploitation of female characters for geeky fanboys. Regardless, the characters in this movie make for cool subjects for both sculptors and painters.
Other girls of Sucker Punch, including Babydoll
Of all the main female characters in 'Sucker Punch', I am most tempted to do some early concept sketches of Babydoll to see how this character can be sculpted by a novice like me. Figures of Sucker Punch characters have been professionally made by companies such as Hot Toys, Sideshow Collectibles and Gentle Giant. My favourite so far is an 18" tall figure of Baby Doll by Gentle Giant.
Babydoll collectible figure by Gentle Giant
But if there is a hint of sexual controversy in the depiction of women in 'Sucker Punch', there is none - in my opinion - of The Bride or Beatrix Kiddo, a character played by Uma Thurman in Quentin Tarantino's 'Kill Bill'. Here, she is purely a mean, lean and lethal killing machine out for revenge. Arguably, the pose of Uma Thurman in a Bruce Lee outfit and holding a samurai sword is possibly the easiest to sculpt and paint. Another cool pose is one in which she is in a wedding outfit.
The Bride as portrayed by Uma Thurman
Uma Thurman was excellent in Quentin Tarantino's no-holds-barred
action movie that pays homage to many film genres (the heroine's costume
is already a dead give away). Though admittedly the violence can be at
times a tad overwhelming, 'Kill Bill' was engrossing and enthralling to
say the least. A simple plot in which Uma Thurman plays an assassin
seeking revenge against her former allies for trying to kill her serves
as the vehicle in which Tarantino unleashes this masterpiece on us.
This
is not a movie for you to analyze the psychological underpinnings of
the main characters, of which nearly all are female, but one to enjoy
for the well executed homage to Hong Kong martial arts films, Japanese
sword fighting movies, revenge and you guessed it ... girls with guns and
swords.
Kill Bill Volume II movie poster
Guns and swords most people get but a girl with a hammer? Two words ... Ramona Flowers. One of the few well made manga influenced comic-to-movie translations, 'Scott Pilgrim vs The World' was a delightful little show that was both outlandish and endearing in a quirky kind of way. Ramona is the love interest for the main protagonist Scott Pilgrim who must defeat her seven evil-exes. Sounds silly when you think of it but the plot works a treat and is acted out well in an over-the-top manner that suits the feel of the comics. Ramona is one character I would consider trying to sculpt and paint.
Mary Elizabeth Winstead as Ramona Flowers in Scott Pilgrim vs The World
Ramona as how she looks in the comics (left) vs her movie version (right)
There is certainly no lack of characters to serve as an inspiration to start learning how to sculpt. But I will need to take small baby steps and first start out with concept sketches of some of the characters I mentioned so far, including Katniss Everdeen. Fail or succeed it's shaping up to be one hell of a ride.